The collector Karlheinz Essl made his first extensive journey through Australia as early as 2000, in which he was able to get to know the art and culture of the indigenous people of Australia. Fascinated by the independent spirituality and force of the works of the Aboriginal people, in 2001 he organised the exhibition >DreamtimeThe collector Karlheinz Essl made his first extensive journey through Australia as early as 2000, in which he was able to get to know the art and culture of the indigenous people of Australia. Fascinated by the independent spirituality and force of the works of the Aboriginal people, in 2001 he organised the exhibition >DreamtimeThe collector Karlheinz Essl made his first extensive journey through Australia as early as 2000, in which he was able to get to know the art and culture of the indigenous people of Australia. Fascinated by the independent spirituality and force of the works of the Aboriginal people, in 2001 he organised the exhibition >DreamtimeSpirit & VisionIn 2015, with the exhibition >Aboriginal ArtMimih spirits, the Aboriginal people’s good spirits, will be shown in traditional bark painting, like Marrana from 1963, which leads into the “classical” works of the 1970s, such as Johnny Warangkula Tjupurrula’s Cave Corroboree Dreaming from 1971. The works by Paddy Bedford, Queenie McKenzie Nakarra and Rover Julama Thomas, which appear abstract to us but are all linked with a very specific story, a “dreaming”, should particularly be highlighted. A star among the Aboriginal people’s artists is Emily Kame Kngwarreye, who is represented in the Essl Collection with numerous large-format works. Against the background of the regional tradition and artistic development that is in no way inferior to the western abstraction phenomena, the exhibition closes with recent artists such as Tracey Moffat, who critically reflects her identity as an Aboriginal woman in a westernised society. Opening: 29.01.2015, 19:30 Uhr30.01. - 16.08.2015Curators: Andreas Hoffer, Viktoria Tomek Nancy Noonju1 / 5Johnny Warangkula Tjupurrula2 / 5Queenie McKenzie Nakarra3 / 5Rover Julama Thomas4 / 5Mathaman Marika, Gunguyuma Dhamarrandji5 / 5In 2015, with the exhibition >Aboriginal ArtMimih spirits, the Aboriginal people’s good spirits, will be shown in traditional bark painting, like Marrana from 1963, which leads into the “classical” works of the 1970s, such as Johnny Warangkula Tjupurrula’s Cave Corroboree Dreaming from 1971. The works by Paddy Bedford, Queenie McKenzie Nakarra and Rover Julama Thomas, which appear abstract to us but are all linked with a very specific story, a “dreaming”, should particularly be highlighted. A star among the Aboriginal people’s artists is Emily Kame Kngwarreye, who is represented in the Essl Collection with numerous large-format works. Against the background of the regional tradition and artistic development that is in no way inferior to the western abstraction phenomena, the exhibition closes with recent artists such as Tracey Moffat, who critically reflects her identity as an Aboriginal woman in a westernised society. Opening: 29.01.2015, 19:30 Uhr30.01. - 16.08.2015Curators: Andreas Hoffer, Viktoria Tomek Nancy Noonju1 / 5Johnny Warangkula Tjupurrula2 / 5Queenie McKenzie Nakarra3 / 5Rover Julama Thomas4 / 5Mathaman Marika, Gunguyuma Dhamarrandji5 / 5Mimih spirits, the Aboriginal people’s good spirits, will be shown in traditional bark painting, like Marrana from 1963, which leads into the “classical” works of the 1970s, such as Johnny Warangkula Tjupurrula’s Cave Corroboree Dreaming from 1971. The works by Paddy Bedford, Queenie McKenzie Nakarra and Rover Julama Thomas, which appear abstract to us but are all linked with a very specific story, a “dreaming”, should particularly be highlighted. A star among the Aboriginal people’s artists is Emily Kame Kngwarreye, who is represented in the Essl Collection with numerous large-format works. Against the background of the regional tradition and artistic development that is in no way inferior to the western abstraction phenomena, the exhibition closes with recent artists such as Tracey Moffat, who critically reflects her identity as an Aboriginal woman in a westernised society. Opening: 29.01.2015, 19:30 Uhr30.01. - 16.08.2015Curators: Andreas Hoffer, Viktoria Tomek ESSL MUSEUMContemporary ArtAn der Donau-Au 13400 Klosterneuburg / ViennaT: +43-(0)2243-370 50 150E: info@essl.museumTUE-SUN: 10 a.m. to 6 p.m.WED: 10 a.m. to 9 p.m.Monday closed,except on national holidays.
Aboriginal dreamingsEssl museum Main address:
Essl museumWells Fargo CenterAn der Donau-Au 13400Klosterneuburg, AustriaEssl museumWells Fargo CenterAn der Donau-Au 13400Klosterneuburg, AustriaThe collector Karlheinz Essl made his first extensive journey through Australia as early as 2000, in which he was able to get to know the art and culture of the indigenous people of Australia. Fascinated by the independent spirituality and force of the works of the Aboriginal people, in 2001 he organised the exhibition >DreamtimeThe collector Karlheinz Essl made his first extensive journey through Australia as early as 2000, in which he was able to get to know the art and culture of the indigenous people of Australia. Fascinated by the independent spirituality and force of the works of the Aboriginal people, in 2001 he organised the exhibition >DreamtimeThe collector Karlheinz Essl made his first extensive journey through Australia as early as 2000, in which he was able to get to know the art and culture of the indigenous people of Australia. Fascinated by the independent spirituality and force of the works of the Aboriginal people, in 2001 he organised the exhibition >DreamtimeSpirit & VisionIn 2015, with the exhibition >Aboriginal ArtMimih spirits, the Aboriginal people’s good spirits, will be shown in traditional bark painting, like Marrana from 1963, which leads into the “classical” works of the 1970s, such as Johnny Warangkula Tjupurrula’s Cave Corroboree Dreaming from 1971. The works by Paddy Bedford, Queenie McKenzie Nakarra and Rover Julama Thomas, which appear abstract to us but are all linked with a very specific story, a “dreaming”, should particularly be highlighted. A star among the Aboriginal people’s artists is Emily Kame Kngwarreye, who is represented in the Essl Collection with numerous large-format works. Against the background of the regional tradition and artistic development that is in no way inferior to the western abstraction phenomena, the exhibition closes with recent artists such as Tracey Moffat, who critically reflects her identity as an Aboriginal woman in a westernised society. Opening: 29.01.2015, 19:30 Uhr30.01. - 16.08.2015Curators: Andreas Hoffer, Viktoria Tomek Nancy Noonju1 / 5Johnny Warangkula Tjupurrula2 / 5Queenie McKenzie Nakarra3 / 5Rover Julama Thomas4 / 5Mathaman Marika, Gunguyuma Dhamarrandji5 / 5In 2015, with the exhibition >Aboriginal ArtMimih spirits, the Aboriginal people’s good spirits, will be shown in traditional bark painting, like Marrana from 1963, which leads into the “classical” works of the 1970s, such as Johnny Warangkula Tjupurrula’s Cave Corroboree Dreaming from 1971. The works by Paddy Bedford, Queenie McKenzie Nakarra and Rover Julama Thomas, which appear abstract to us but are all linked with a very specific story, a “dreaming”, should particularly be highlighted. A star among the Aboriginal people’s artists is Emily Kame Kngwarreye, who is represented in the Essl Collection with numerous large-format works. Against the background of the regional tradition and artistic development that is in no way inferior to the western abstraction phenomena, the exhibition closes with recent artists such as Tracey Moffat, who critically reflects her identity as an Aboriginal woman in a westernised society. Opening: 29.01.2015, 19:30 Uhr30.01. - 16.08.2015Curators: Andreas Hoffer, Viktoria Tomek Nancy Noonju1 / 5Johnny Warangkula Tjupurrula2 / 5Queenie McKenzie Nakarra3 / 5Rover Julama Thomas4 / 5Mathaman Marika, Gunguyuma Dhamarrandji5 / 5Mimih spirits, the Aboriginal people’s good spirits, will be shown in traditional bark painting, like Marrana from 1963, which leads into the “classical” works of the 1970s, such as Johnny Warangkula Tjupurrula’s Cave Corroboree Dreaming from 1971. The works by Paddy Bedford, Queenie McKenzie Nakarra and Rover Julama Thomas, which appear abstract to us but are all linked with a very specific story, a “dreaming”, should particularly be highlighted. A star among the Aboriginal people’s artists is Emily Kame Kngwarreye, who is represented in the Essl Collection with numerous large-format works. Against the background of the regional tradition and artistic development that is in no way inferior to the western abstraction phenomena, the exhibition closes with recent artists such as Tracey Moffat, who critically reflects her identity as an Aboriginal woman in a westernised society. Opening: 29.01.2015, 19:30 Uhr30.01. - 16.08.2015Curators: Andreas Hoffer, Viktoria Tomek ESSL MUSEUMContemporary ArtAn der Donau-Au 13400 Klosterneuburg / ViennaT: +43-(0)2243-370 50 150E: info@essl.museumTUE-SUN: 10 a.m. to 6 p.m.WED: 10 a.m. to 9 p.m.Monday closed,except on national holidays. Book tickets
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